The Monologue of a Surrogate Mother and Other Poems

    by Sofium Azam

    This baby born today is not mine. Or is it?
    This maternity is only for banknotes,
    more of which I often get than I bargain for.

    The feel of someone else’s fetus growing
    tiny limbs over nauseating months
    and the baby’s restless kicks inside my womb

    are all over in a flash. In the hospital,
    while trying to latch the baby on to my nipple,
    I felt my tears as if asking for the green-light.

    My clients say such sentiments don’t suit us;
    they come like locusts year after year.
    No, the locusts leave crops fully damaged

    but they don’t. They rather leave me
    a few more banknotes as a goodwill gesture.
    And then the very next year I might have

    to do it again, though a bit more hesitantly.
    My life’s never been sweet like soan papdi.
    My real kids wonder why my belly swells

    like high-tide and subsides like water’s retreat;
    they don’t know where their siblings go.
    Their questions are breakers on the beach.

    My husband, either lying face down
    or sitting up with amputated legs over there,
    is always afraid I might dump him one day.

    I still relive the first sight of his bloodied legs
    lying separate on the rail tracks. Whatever,
    they just need food on the table. No,

    not the table for this piece of furniture seems
    a luxury even in my wild imagination.
    Unlike a hooker, I never get up close

    with my clients; so there’s no question
    of wrapping my legs around them.
    I lease my womb for their test-tube fetuses.

    I am a queen of the womb. But last year
    I was on the verge of being dead at childbirth;
    fortunately, doctors didn’t let it happen,

    not for my sake but for the baby I was
    supposed to deliver to my rich client. No,
    I still remain poor. Like a bitch giving birth

    to puppies on busy street-corners?
    No, I am more dignified than a bitch living
    on leftovers. I am the human mother!

    The only thing I get weirdly sad about
    is that I never had the chance to be called
    Mother by those babies I had given birth to.

     

    In Bengali

     

    There are lots of things I badly need to confess in Bengali
    even though serpents twine around my success – in Bengali.

    Romantics say you can’t wipe out what’s learned in the womb.
    Our chauvinists cry: It’d exactly be told more or less in Bengali.

    I’d let my mother’s language float away with the ebb-tide;
    yet I’m a mudskipper she doesn’t bother to bless in Bengali.

    With my feet on ground, I let a new wind come in through windows.
    Does the earlier wind have anything else to express in Bengali?

    Someone said every language is a uniform we must wear;
    years spent elsewhere doubt if yet again I’d dress in Bengali.

    Country folks gape at me; they hang about perplexed for hours
    until I speak something epiphanic like Yes in Bengali.

    I’m a Jesus, with the cross of being wacky in alien words.
    They look contented as they calculate my distress in Bengali.

    As lust pushed me into flames Make love to her now or never,
    I didn’t have any other option but to undress in Bengali.

    I was jilted in love and broke into consoling tears in public.
    How would I forget the eruption of my sadness in Bengali?

    I swim in other channels; yet nothing feels like home
    unless bastards of my clan cheer me or depress in Bengali.

    My parents and the ones I now live with are the whole lot.
    I wonder if I felt satisfied talking to them ever unless in Bengali.

    The country I live in has scumbags around every corner,
    say, linguistic chauvinists I’d like to impress in Bengali.

    Sofiul, don’t forget your Local Muse who said in a dream:
    You’d better not underrate the effects of your caress in Bengali.

     

    No Retirement Age for Worries

     

    You went through long periods of neglect and unfair dismissal.
    You know how hill-dwellers light torches and beat kerosene tins

    to scare away wild elephants ravaging in the backcountry
    and you must regret not having stood up for your own people

    and not having ended years of your uncalled-for standoff.
    You forgot you would wake up to oxen walking in circles

    on paddy sheaves on the front yard, to separate grains
    from the straw while vacationing at Granny’s winterhouse.

    You could have made an existential breakthrough:
    how to be cleared of accusations not excepting one’s amnesia!

    After your failed efforts, you broke things with a vengeance,
    said unnecessary things in the heat of the moment,

    took desperate measures seemingly better than slow torture,
    and whipped up the death drive as industrial plants do

    to the biosphere without bracing for climate change.
    To take the pressure off, you might have gone so far

    as to greenlight your foolhardiness to harden as permafrost
    and to endorse unfounded narratives and relentless polemics

    instead of winnowing out inaccuracies the way threshers do
    the paddy grains from the chaff falling apart from the pile.

    On a Peruvian tour, you might miss eyeblinks for the Nazca Lines
    but the life you see around is no less astonishing.

    Whenever your resilience is nearing such a breaking point,
    play with news headlines like you did in your early teens:

    for instance, the tantrum of “an obese turtle on his back
    flailing in the hot sun, realizing his time is over.”

    Remember fireworks won’t be going off forever in the dark
    and unfortunately there’s not even a retirement age for worries. 

     

    In the Jungles

    On reading Kenneth Anderson

    Imagine yourself a big game hunter on a machan,
    waiting over the kill of a man-eating tiger
    – the scourge of areas bordering a jungle –
    unmoved but looking up at stars as if puffed rice
    against the dark. You are not hard of hearing
    nor poor of sight but profusely perspiring over
    your reflexes not as lightning-fast as a hooded snake.
    Don’t forget all of what you are depends on defeating 
    a man-eater’s cunningness with yours. Imagine

    mud glued to your shoe heels in the scorching sun
    and damp trousers sticking like your second skin
    after a slip on the sludge. At the cow-dust
    hour, you see grazing cattle return home from the lush
    vegetation on the jungle’s fringe. The villagers’
    lifeline is crops and cattle that put a heavy toll
    on wild herbivores. Conflicts with carnivores
    go out of control; then arrive the hunters –
    now a politically incorrect species for environuts.   

    Imagine it’s your first jungle night, a very scary
    fog-painted night at that. You might have
    more than accepted jungle bushes to be alert for –
    under which man-eaters crouch and from which
    they unnervingly spring. Returning through bushes,
    across nullahs and over boulders wouldn’t be easy.
    So by a lake, build a fire to stay secure.
    After that, enjoy fireflies with birds and bees
    as the background music amid ever-increasing fears. 

     

    If Every Disaster Were Just a Bad Dream!

     

    The past is not the well-preserved remains of something
        excavated by archaeologists. Bad situations
    were always present in the past as they are now.
    For instance, crossings by unaccompanied Mexican minors
    rise in the middle of this pandemic, and a North Korean gymnast
    jumps the border fence to freedom in its southern neighbor.
    The thing we could not otherwise understand
        is that the shock will never be far from over.
    With the good and the bad clashing, the area of conflict changes.
    It might not reduce your wrinkles but it’s what it always was.

    My sadness intercepts its counterpart like a rival aircraft
        when their ties are at a low. No quirkiness for sure.
    I badly need something sustainable to lift my spirits
    or I must be rolling out sweeping changes in my plan now.
    It must be as good as troop pullouts from a war-ravaged country
    or a bailout for a cash-strapped government.
    But I receive nothing else upfront except consolation
        that stands out among other things under the sun.
    Wherever I jet in to, I can’t avoid my wizened face
    or pull the plug on my never-ending hallucinations.

    Yet life is like uncertainty about an uncertified vaccine.
        It doesn’t give you the terms of agreement; it’s blank there.
    Look at it again in disbelief. Nothing can break its gridlock.
    Yet it’s not something just moments from the end.
    Rather the lust for it might swell like yeast dough.
    When I get something long desired, I recall
    the happiness of checkered keelbacks with their fangs
        deep into skipper frogs or skinks among hyacinths
    in our backyard pond. I also feel ecstatic
    about wildlife using sky bridges to cross interstate highways.

    You might be reeling from something, and out of necessity
        you must brace for something else yet again.
    I balk at the speeches – made by some of its champions –
    littered with deliberate lies and half-truths.
    Whatever, I don’t subscribe to anyone’s idea
    of a nail-biter or a do-or-die though I feel the pressure.
    Despite fairy tales being the reality in childhood,
        you continuously weigh in before you get bloodied
    in your boxing fights all your life, and there’s no retirement.
    Yet art carves a form out of chaos, and I feel good about it.

    Sofiul Azam has four poetry collections Impasse (2003), In Love with a Gorgon (2010), Safe under Water (2014), Persecution (2021) and edited Short Stories of Selim Morshed (2009). His work has appeared in Prairie Schooner, Pirene’s Fountain, North Dakota Quarterly, Drunk Monkeys, Appalachia, The Ibis Head Review, The Ghazal Page, Cholla Needles, Poetry Salzburg Review, Orbis, The Cannon’s Mouth, Deep South, Postcolonial Text, and elsewhere. Some poems are anthologized in Two Thirds North, fourW: New Writing 28, Journeys, Caught in the Net among others.Currently he is working on two more poetry collections This Time, Every Time and Days in the Forested Hills. Melancholy Souls is his novel in progress, and it has epic proportions that might go beyond 500 pages! He loves to call it his fantasy project instead of his dream project because he thinks he is one of the slowest writing animals on Earth, not even faster than three-toed sloths living in Central and South America. Before coming to Iowa State University for an MFA in Creative Writing and Environment, he taught English at several universities in Bangladesh for the last fifteen years.

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