Seven Stages

    by Suchi Govindarajan

    Some of the things we create stay with us. Others feel like they were made by a stranger. As a chronicler of food, I am sometimes surprised by the images in my gallery. When did I start taking pictures of drained cups of coffee? Why do I have photos of half-eaten bowls of halwa? The more I thought about the word, “appetite”, the more I was reminded about these images. In looking for congruence and alignment, I found myself being led elsewhere. A month ago, I was in Lucknow, where I learnt about the seven stages of love as dreamt of in Urdu. In one reading, the last stage of love is actually death. But then grief too has several stages. Isn’t grief, as the cliché goes, the other side of love? “Risk nahin to ishq nahin”

    My own life requires me to have an appetite for all these things: the bubbling drink, the empty plate, the traces left on things both beautiful and ordinary. 

    The seven stages of love, in Urdu:

    Dilkashi (Attraction), Uns (Infatuation), Ishq (love), Akidat (Trust), Ibadat (Worship), Junoon (Madness), Sukoon (Peace)

    The seven stages of grief:

    Shock, Denial, Anger, Bargaining, Depression, Reflection, Acceptance

    Dilkashi (Attraction) | Shock

    Uns (Infatuation) | Denial

    Ishq (love) | Anger

    Akidat (Trust) | Bargaining

    Ibadat (Worship) | Depression

    Junoon (Madness) | Reflection

    Sukoon (Peace) | Acceptance

    Suchi Govindarajan is a writer, poet and photographer who lives in Bangalore. She’s the author of three picture-books for children (Pratham Books). Her work has appeared in publications like Cordite Poetry Review, Black Bough Poetry, and iamb. It has also been included in anthologies like the Yearbook of Indian Poetry. In previous lives, Suchi has been a technical writer and a humour columnist. In all of them, she has hated brinjals.

    Subscribe to our newsletter To Recieve Updates

      The Latest
      • Cassandra 1: Malika Amar Shaikh

        Cassandra is a series of reflections on international women writers

      • ULR Bookshelf

        Rajkotia fearlessly confronts her milieu, whether navigating

      • The Matchbox by Usawa #01

        I remember grief being heavy: I was carrying a dull, dead weight

      • Upcoming Deadlines

        The Ex-Puritan welcomes submissions across all genres

      You May Also Like
      • Do good fences really make good neighbours? – Srilagna Majumdar reviews Sehyr Mirza’s edited volume of stories and narratives

        in most instances, the stories of loss and longing are the ones most treasured

      • Polymorphism (Excerpt) by Indira Chandrasekhar

        My shoulder was at it again, swivelling and turning like a mechanism lubricated

      • The Dreams of a Mappila Girl, a memoir by BM Zuhara, translated from the Malayalam by Fehmida Zakeer

        After she had acquired the key to the house in Kozhikode, Umma became very busy

      • syzygy and Other Poems By Kashiana Singh

        conjunction a massacre visible to the naked eye just sunset a stranded necklace

      Add Your Heading Text Here