No Intentions and Other Poems

    by Yuna Kang

    Burnt in the wake of restless dreams-
    i reach towards the gaping abyss that is
    queer love: we yearn for some pearl-laden
    maiden to entrance and sing by rivers dawning
    on a world gilding itself on hopes eternal. but
    we were broken, so i
    lay in beds soiled by fucking and disuse at daybreak:
    “I have to catch the BART.”
    Riding home where the morning sun meets scratched glass-
    i can feel the shape of her mouth on mine-
    its tenderness, the ripe spots of hurts like bruises incurred
    by metonymies of love. i know the dark and hurt lovers, only seeking
    moments of strange pleasure, reputable strangers who
    half-pretend at stability, with self-ironic twists,
    It takes practice to be able to do that.
    and in the entropic waves of ending that characterize these
    intercourses unprofound, i wonder if in the dimly-lit worlds of
    shoddy apartment walls and play candles if
    they see me as i see them, and if we are just engaged in a masturbatory
    prolonging of yearning, of failing at that purity of that great storied
    miracle that
    is Queer Love. settling for fun, egged on by fat, mundane ecstasies and
    that asymptote of love.

     

    Earth Life; Fusing Experience

     

    I am subterfuge and clay to you: but sand
    Beneath penetrates the slits between
    my fingers, and slats of light work
    their way between rust-colored pebbles, the

    foundations of moonstones. And fat speckles of moonlight,
    adorn my fissures occasionally, making my
    hollow body dance.

     

    The Oakland Blue-Light

    Moonfuck me,

     

    she says, but (she lied to me again)
    and I am contemplating the ways by which I
    must unspool myself from her, like the extrications of beaded strands of
    DNA, but my memory is tainted full of
    love.

    And I am desperate for her, and hungry for her–
    I want to separate myself from her, unstick our shadows
    that merge in the midst of veiled, green-struck nights.

    She lives in Oakland, and is Oakland–

    The song of that city, which rises by the morning ashes to fester
    on gentrification, the rising works, of

    the cops are prowling, for it is broad daylight
    and the children walk too far
    to school.

    (Melissa Valentine never regrets to inform,)

    I pick up loops of daisies and wildflowers–
    I braid them together with the plastic necklaces that
    adorn soda cans, I buy hot cheetos from a mother, I walk home
    from the store.

    she moves from the center of the world,
    to move away, and away, and away.
    And she is Oakland, great city, beloved city–
    all of its cracks and pains and nuances–
    like the spine of an old matriarch creaking to
    assume her master, you hear her churn and regurgitate
    old harms, flung at the sun-shocked asphalt
    where glass glitters like moonstones in
    the cooling wind-light.

    and it hurts when she thrusts inside of me–
    infinite pains and she threatens to let go,
    like a stressed belief, that relief will come
    if she just hurts and hurts and hurts
    enough.

    She is beaded curtains, a lark, a splash of rain-light
    that comes from the smacking of broken fire
    chains.

    She wants to move away.

    For she says that this city is no longer
    her own, but it belongs to me, (me, me, me), she says:
    foreign invaders, trickling in from suburbia and mystic
    tunnels that pretend at graffiti and laughter. You, she says,
    are not an artist, and you are hardly a lover either.

    Become me. If you can threaten to be that
    much. You come here to study, to learn, to take the anodyne of culture,
    before moving to the Midwest, or Korea, or wherever the fuck
    you people go. You came here to leave, like leaf shadows of the night,
    and the least you could do
    is pretend you love me,
    tell me you care,
    (eat my rent, eat my rent, eat my blessed rent)

    before you deign to go

    home.

     

    Morbidia

     

    I had no one and nothing left–
    no harms, no scars, no old lovers to spin
    wan-flax tales about my failings, my vaunted memories, scarred
    enemies waiting to take flight
    at the moment of my departure.

    I imagined then a cool lake where women go
    to dip their toes into
    lesbianism, the works, the antiquated wonders
    of pearl-lite dolphins baring
    broken teeth.

    And I knew then of foxtail fields where
    barbs spit and nibbled on your untamed toes,
    where you kept on walking and walking, and the glancing heat threatens
    to kill you, misunderstand you, but you are walking towards the blue oaks
    shade, and a bird twitters in the ancient thunder of
    plaster-white suburbia.

    Retreat to me, avid lovers, readers of history and book-marked pages:
    find me, and become me. Eat of me, that I may become life,
    and glory, and love.

    I am afraid to go home when the days grow cool and dark,
    I am afraid to become one with the dust, dirt, and blessed
    soil.

    Yuna Kang 

    Subscribe to our newsletter To Recieve Updates

      The Latest
      • For The Love Of Apricots by Madhulika Liddle

        Nandini knew next to nothing about children

      • Bewilderness bby Devashish Makhija

        ‘there are no poems’ (a tribute to the poetry of Alok Dhanwa)

      • The big book of Indian Art by Bina Sarkar Ellias

        Post India’s independence in 1947, the establishment of the Faculty of Fine Arts

      • Smita Sahay Editor-in-Chief Issue 12

        Welcome to Issue 12 of the Usawa Literary Review

      You May Also Like
      • Indian Wrestlers Fighting Their Hardest Fight Yet by Neha Paranjpe

        The year was 2016, and champion athlete, Sakshi Malik, had just made the country

      • Periphery of Truth: Beyond the Bamboo Curtain by Dean Kerrison

        In King George Square, Brisbane a crowd of about fifty are gathered

      • Two Poems By Arya Gopi

        On the day of shame, a fanatic shot at history Religion was his pistol