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Whilst Walt Pretends to be Naked, Emily Wears….

Innocence becomes a door for hidden love, resisting stolen lands and performed kinship.

December 15, 2024

after Walt Whitman and Emily Dickinson

Sometimes you can hide in plain sight—
refuse to go to church—to convert, refuse
to conform to the current orthodoxies—
maybe you don’t want to—wear a gender
like it is a definition—not fit into a listable
category. As he—like a politician, is being
—one with the common man—like someone selling
snake-oil. She is putting on innocence—or
the mad woman in the attic—he claims
kinship—with strangers—whilst he lays down
his railroad tracks across stolen lands— 
she is—giving—permission to a woman
—she loves—to be—oneself
whilst wearing innocence as a door.

📖
PART OF A COLLECTION

Lamina and 5 other poems

View Full Collection →

Hannah Linden

Hannah Linden is a working class, queer, neurodivergent poet based in Devon, UK where she lives in ramshackle social housing. She is published widely, won the Cafe Writers Poetry Competition in 2021, was Highly Commended in the Wales Poetry Award 2021, and is currently shortlisted for the Leeds Peace Poetry Prize 2024. Her debut pamphlet, The Beautiful Open Sky (V. Press), was shortlisted for the Saboteur Award for Best Poetry Pamphlet 2023.

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