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Issue 15 • Refuse • July 2026

Even when erased, an act of dissent leaves a palimpsest. Those who come after do not begin from nothing; they write into those faint but…
Even when erased, an act of dissent leaves a palimpsest. Those who come after do not begin from nothing; they write into those faint but indelible traces. Every authoritarian project shrinks collective imagination through fear; every act of dissent enlarges it. We refuse to accept fear as the price of citizenship
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Cover art by Jayati Bose

In This Issue

Dear readers, Here are seven poets, seven ways of saying no. Mugdhaa Ranade's verses take a body apart, piece by piece, in blunt, clinical language, hammered along by doubled verbs (pull, pull; chew, chew; laugh, laugh) to show what obedience costs. Priya Sarukkai Chabria's lines...

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Do walls speak? Can three untouchably powerful men actually lose, in Chidimma Ewelukwa's Walls That Bleed — or does a house merely wait, the way houses do, for the one crack that lets everything it has swallowed come back out? Walls That Bleed uses sentence...

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We know how to reject. We discard what no longer serves us: objects, places, histories, bodies and people. We call what remains refuse. Yet the web of life rarely accepts our verdict. What we reject persists, returns and insists on being seen. This year’s Art...

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No matter how much AI takes over our life, human resources are constantly sought after for ideas and inspiration. It is no wonder that in many parts of the globe, we have human libraries, where one may borrow people for a few minutes of conversation...

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