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My City is a Murder of Crows

By Nikita Parik


My City is a Murder of Crows by Nikita Parik is a collection of poems that intricately weaves the city and the human body into a single narrative. The book is described as a "body" that negotiates the writer's language to reach individual truths, with the city inhabiting the reader as much as the reader inhabits the city. The title itself suggests a complex relationship between the city and the individual, as the city becomes "my city" owing to its intimate and seamless symbiosis with the author's body politic. The book is divided into four parts, each corresponding to different aspects of the human body, and explores themes of desire, dispossession, and the futility of holding onto memories of cities.

Excerpt: My City is a Murder of Crows

1. Stone city breathes. A scream rises as a heel cracks. Plasters attempt to mend ruptures, a child's horror glimpsed. 2. An

1 – The City Reacts to News about the War

The city is a dream drafted in stone. A night descends and jerks it into existence. Somewhere, a heel-bone cracks, letting out a scream that is at once primal and prophetic. They are now trying to slap on a plaster over a fracture that is a permanent rupture on the exoskeletal structure of this city. The site of injury has swollen to the size of a pixelated child’s horror on seeing his father stay behind with a Kalashnikov. The skin is the color of gunshot screams spanning your reality and my horrified imagination. Oh but don’t you know? The city is a genetic reproductive schema: it is every city to ever exist. Everything is but one thing, just as one thing swells, wiggles out, and takes the form of everything. The pavements of this city are waiting to draw life-blood from the veins of another’s book-stocked windows. The cities inside our screens are waiting to know what amount of fibre- glassing will ease this intumescence.
2 – Shapes of a Clothesline

This mouth is an Indian balcony
during the months
of saawan & bhaado: someone
tiptoes across it all day,
at the pretext of drying clothes.
3 – I Catch Mother Reading Jaishankar Prasad
During the Coronavirus Pandemic

Her lips mouthing devanagari delicately,
like a personal prayer

on the nightstand of deepest
slumber; hands holding

the book jacket like a scripture; mind
oblivious to the daughter

standing rooted across the room. A silence
starts to glow around us,

becomes a patronus keeping me
out, becomes a sphere

of light, becomes the sun: it is now
almost sacrilegious to intrude.

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