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Vital Signs

By Amlanjyoti Goswami


Amlanjyoti Goswami's 'Vital Signs' is a poetry collection that captures the essence of life's details and the beauty of the ordinary. The book is described as follows: Poetic Reflections: The poems in 'Vital Signs' offer a unique perspective on life, with a focus on the minutiae that make life meaningful. Themes: The collection explores various themes, including the human experience, nature, and the passage of time. Literary Style: Goswami's writing style is characterized by its ability to pause time and allow readers to truly look and live. Cultural Context: The poems reflect a cultural context that is both universal and specific, resonating with readers across different backgrounds. Publication: 'Vital Signs' has been published in various journals and anthologies, including Poetry, The Poetry Review, and Penguin Vintage. Recognition: The book has received critical acclaim and has been reviewed by notable literary critics and reviewers. The book is available for purchase online, and readers can find it on platforms like Amazon.in. It is a must-read for those who appreciate poetry that offers a deeper understanding of life's complexities and the beauty of the everyday.

Excerpt: Vital Signs

1. Medieval rituals blur into tales of the Black Death. A winding path through Venice, echoing with Latin whispers and alchemic possibilities.

1 – Viva Voce

No more questions.
More questions would only lead to more answers.
And he had a curious way of answering.

A kind of literary chiaroscuro.
Circuitous, winding, addressing everything around it
And showing the light by painting the darkness all around.

For example: when asked about liturgy in medieval rituals,
He talked about Black Death, gold filigree, vestments, medieval travellers,
Wittgenstein – how you couldn’t put the genie back in the bottle

Umberto Eco, the serpentine lanes of Venice, thought experiments with stone
The alchemy of possibility, the curse of binary thinking, Sanskrit,
The fallen angels of Michelangelo, the Latin equivalent of I have water.

And even David Hockney – no one can stare at death and the sun too long.
He explained why it seemed like Galileo but was actually Copernican,
This notion of gratitude for the idea of forever, inside an instant.

This raised eyebrows, invited scorn, possibility of madness, or worse, impudence.
That he was making fun. On closer examination, it was revealed he was trying
To connect dots which weren’t there. It showed things in stranger light, bare inside.

So they stared at each other like cowboys, candidate and jury.
Finally, they asked if he had any further questions. Touché, a reversal of role, a way to know him.
What is the nature of God? he asked.
2 – Morola

I am not asking for kingfish
Slopping over creel, inside tin cover.
Not ilish, chital, rohu, magur, aari, kawoi,
Not even pabda, tilapia, baashpata.
No not even puthi.

All I want is humble morola.
Two small morola – deep fried, sizzling brown
A dash of lemon, fire to frying pan
Flying on my plate, brimming a fiery red.
The tail, milimetre long, I will scrunch first

Then gnaw at the edges, tongue the scrape of bone,
Smear turmeric on my fingers,
Rub salt into my wounds.
Then I will crunch oil and fish to a fine rubber.
I will chew on, till the ginger feeling reaches the head.

Finally, munch the head, eyes and all that’s left
Drowsy as the first drink.
Dida made those.
We would find the best ones, weekly market. Friday evenings.
Then fifty rupees a pau, priceless today.

Swimming in the curry of my dreams, morola,
Rare as a well-kept secret. Guests of the side plate
I give them respect. Call them ambrosia, dignitaries of the high palate.
Once dal and rice are licked dry, once torkari is endured
And I swallow one more ordinary day with pride

I will seek permission to taste them.
It may take a while. This juice of the moment.
I have time on my side.
Time eternal who comes and goes without asking.
I will call all, you who know.
A new Bapu

Would take to twitter like fish to water
But grow out of it
And use it as a protest tool.
Once in a while, he would take breaks with vows of silence.
He would use the extra time
To sort out, ends and means
The broken strings.
He would be wise to know
Greed remains greed and power is now
Like electricity, everywhere,
From the clerk to the high heavens.
He would look for a place to start –
And it would be with himself.
Cleaning the toilet on a weekday,
Making plants grow with bare hands.
Not using a sensor to figure it out.
He would be wary of AI, robots, anything that takes the mind away.
They take the soul out, he would say.
But he would take to planes more easily, for the utility.
He would still write letters, with a fountain pen
And send postcards, to children.
He would recycle paper and look inside, for answers.
He would be worried about
Climate Change.
He would pass the street and you wouldn’t even know.
He would travel incognito.

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