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A Translator in Auschwitz

From unspoken words to defiant blood, a captive translated rage into agency.

July 15, 2018

You were twenty-four, Mala, when the Nazis
came for you in Antwerp, Belgium, on the street
of yellow stars. It was then your old life ended
and you were swept downward by history’s
darkest whorl.

In the women’s camp at Birkenau, your command
of German helped you name the unspoken, and you
could sometimes intercede between fellow prisoners
and the immense power that held them.

And soon, from fire and ash, from blood and darkness,
you drew a stunned few whose pain could not be quieted
and moved them to temporary refuge: those broken twigs
those scorched leaves who only recently
had been people.

All your life, Mala, you were first to question, first
to fight injustice, and you were the first woman
to escape from Auschwitz. That you were captured
at the Slovak border and brought back to death’s embrace
— death that had been promised to every Jew —

was not revelation, but destiny. How fitting it was
that you slashed your wrists on the path to the gallows
and lashed out at the guard who’d cursed you. Your blood
on his face, a translation that defies understanding.

📖
PART OF A COLLECTION

Golden Syrup and 3 other poems

View Full Collection →

Charles Adès Fishman

Charles Fishman’s books include The Death Mazurka, which was nominated for the 1990 Pulitzer Prize in Poetry, and In the Language of Women (2011), recipient of the Paterson Award for Literary Excellence. The revised, second edition of his anthology, Blood to Remember: American Poets on the Holocaust, was published in 2007 by Time Being Books, which released his Selected Poems, In the Path of Lightning, in 2012. Charles is poetry editor of Prism: An Interdisciplinary Journal for Holocaust Educators and, with Smita Sahay of Mumbai, India, co-edited Veils, Halos & Shackles: International Poetry on the Oppression and Empowerment of Women. His most recent collection is In the Wake of the Glacier: New Selected Poems (Kasva Press, 2018).

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