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Dhumavati

Between mother's mandate and an old goddess, a body learns hunger's feral truth.

June 15, 2024

I am told my weight in bird carcasses,
hollow-boned, as gilded deities.

My mother wants me to eat with purpose,
and I find myself perturbed
by the weight of her suggestion.

I tell her of Dhumavati, the old hag goddess,
who, upon finding herself hungry,
attempted to eat her husband.
Through this case study, I try to present hunger as
a mere catalyst –
You eat when you eat, if you must eat, then so you eat.

My mother scolds me for inventing
strange goddesses to suit my agendas.

But I do know hunger’s purpose,
its anatomy, which is as primordial as
the wild impulse of scavengers –
flesh flies and old-world vultures,
and corvids with their celestial intelligence.

This is the new age, and I am a new age girl.
I am as limber as an egret,
keeping near my water source.
I am sedentary
from carrying the exhaustion of my past life.
On new moon nights, I bask in the fridge’s
light in the cold awakening of a.m.,
tasting the bitter air of stale food.
I endure gravity’s pull despite the airiness of my body.

But my mother wants me to eat with purpose.

Maybe on the next night of maiden moon,
I will join Dhumavati in her hungry wandering.
A winnowing basket in hand,
we will go knocking on doors,
asking other women to lend us their
appetite’s purpose.

*Dhumavati, a Hindu goddess, symbolizes hunger, thirst, need, and poverty. She is often depicted as an old, ugly woman riding a crow and is sometimes seen as a form of the goddess Parvati, the consort of Lord Shiva.

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PART OF A COLLECTION

A Treatise on Cooking and 3 other poems

View Full Collection →

Pushpanjali

Pushpanjali is a poet, independent researcher, and student of English Literature from Jharkhand, India. Her poems have been featured in both print and online publications such as More than Melanin, ASAP | art, Gulmohur Quarterly, Narrow Road Journal, Nightingale & Sparrow, among others. Her research interests lie in feminist theory and literary studies, while her creative work primarily focuses on the intersection of themes including the body, environment, gender, and the enduring impressions of her own rural identity.

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