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The Monologue of a Surrogate Mother

A rented womb delivers babies for cash, enduring unacknowledged maternal grief.

December 15, 2024

This baby born today is not mine. Or is it?
This maternity is only for banknotes,
more of which I often get than I bargain for.

The feel of someone else’s fetus growing
tiny limbs over nauseating months
and the baby’s restless kicks inside my womb

are all over in a flash. In the hospital,
while trying to latch the baby on to my nipple,
I felt my tears as if asking for the green-light.

My clients say such sentiments don’t suit us;
they come like locusts year after year.
No, the locusts leave crops fully damaged

but they don’t. They rather leave me
a few more banknotes as a goodwill gesture.
And then the very next year I might have

to do it again, though a bit more hesitantly.
My life’s never been sweet like soan papdi.
My real kids wonder why my belly swells

like high-tide and subsides like water’s retreat;
they don’t know where their siblings go.
Their questions are breakers on the beach.

My husband, either lying face down
or sitting up with amputated legs over there,
is always afraid I might dump him one day.

I still relive the first sight of his bloodied legs
lying separate on the rail tracks. Whatever,
they just need food on the table. No,

not the table for this piece of furniture seems
a luxury even in my wild imagination.
Unlike a hooker, I never get up close

with my clients; so there’s no question
of wrapping my legs around them.
I lease my womb for their test-tube fetuses.

I am a queen of the womb. But last year
I was on the verge of being dead at childbirth;
fortunately, doctors didn’t let it happen,

not for my sake but for the baby I was
supposed to deliver to my rich client. No,
I still remain poor. Like a bitch giving birth

to puppies on busy street-corners?
No, I am more dignified than a bitch living
on leftovers. I am the human mother!

The only thing I get weirdly sad about
is that I never had the chance to be called
Mother by those babies I had given birth to.

📖
PART OF A COLLECTION

The Monologue of a Surrogate Mother and 4 other poems

View Full Collection →

Sofiul Azam

Sofiul Azam has four poetry collections Impasse (2003), In Love with a Gorgon (2010), Safe under Water (2014), Persecution (2021) and edited Short Stories of Selim Morshed (2009). His work has appeared in Prairie Schooner, Pirene’s Fountain, North Dakota Quarterly, Drunk Monkeys, Appalachia, The Ibis Head Review, The Ghazal Page, Cholla Needles, Poetry Salzburg Review, Orbis, The Cannon’s Mouth, Deep South, Postcolonial Text, and elsewhere. Some poems are anthologized in Two Thirds North, fourW: New Writing 28, Journeys, Caught in the Net among others.Currently he is working on two more poetry collections This Time, Every Time and Days in the Forested Hills. Melancholy Souls is his novel in progress, and it has epic proportions that might go beyond 500 pages! He loves to call it his fantasy project instead of his dream project because he thinks he is one of the slowest writing animals on Earth, not even faster than three-toed sloths living in Central and South America. Before coming to Iowa State University for an MFA in Creative Writing and Environment, he taught English at several universities in Bangladesh for the last fifteen years.

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