Usawa Literary Review is headquartered in Mumbai, India.
PIN Code: 400050
Interested in working or collaborating with us?
Contact Us

Woman, Eat.

A woman's explicit hunger confronts ingrained restraint, awakening the speaker's own deeply suppressed, ravenous appetite.

June 15, 2024

I was 23 when I first heard a woman say, ‘I am hungry.’
No woman I knew was ever hungry. I hadn’t been hungry since the second day of high school.
She was older; she spoke of her appetite the way people do of a Razor, or trans fats.
It was a matter of willful acceptance. I remember this today perhaps,
5 years later, because she wasn’t the type of woman my mother called
proper slender sundar.
She wasn’t skinny. To be a full, filling body and to let anyone imagine you with food?

I began to order figments of fried fluff from the bar. Colours, shapes, olives,
something petite. But she said ‘I am hungry hungry.’
I took her to shah alam across the street. She ordered murtabak with the works.
She wasn’t afraid to be seen in public with
food fork feasting.
She ate as I sat with a diet coke. Angry, confused, smug.
No 23-year-old woman ate; everyone knew that.

Hunger seemed corrupt.
We were taught to appreciate how much men could eat.
In an endearing vote of virility. ‘What a big boy.’
Men ate from my plate. In an endearing voice of naivete. ‘My lil girl.’
I have instinctively known to leave bigger portions for brothers; to let fathers have their fills first.
What 23-year-old is only ever
peckish famished starving.
They seemed like made-up words supplied to women around me so they never had to say ‘I am hungry.’

She ate as I sat with a diet coke and a bristled esophagus.
I unrepentingly slid into the day I learned the word bulimia in a Chicken Soup paraphernalia
seniors snuck from the library. I had only ever seen the word; when pronounced it sounded like
no thank you had a big lunch am watching myself.
My stomach was lined with so many ‘I have never seen you eat’ I had swallowed like compliments.

A woman said I am hungry, and I remembered that I was too. Perhaps murtabak with the works
set off a Pavlovian ring in me and I resentfully found my tongue flooded.
It is possible I had always been sitting at that table
wagging lapping ravenous.
I had learned how to order, what is a cleaver knife, where to put my hands.
Textures, flavours, eye contact.
Twiddling my thumbs, gums bleeding, burping hot gas.
I had always been ready. Just waiting for someone to say, ‘Woman, eat.’

📖
PART OF A COLLECTION

Woman, Eat. and 3 other poems

View Full Collection →

Nupur Azadi

Nupur Azadi is an international stage artist and writer. She is the creator of the art form Theatrical Poetry. Her work has been hailed as ‘urgent’ and ‘engaging’ across Asia and Europe. She is currently further producing her one-woman show ‘Live. Love. Loaf. An investigation into who gets to loiter’ which previously toured across Asia. In the industry she has been described as ‘intensely profound and sharply observant, this theatrical poet is cheeky, brazen and yet confusingly soft!’ Through her work, she explores the unbounded personal liberties as the ultimate beckoning of any social movement.

Looking for more Poetry?

Browse the Poetry Archive →
Back to Issue

Support Our Work

If you enjoy our content, consider supporting us.

Support Us

We are an unfunded, independent feminist publication. We need your support to continue our work.