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Visual Narrative: Daybreak In Uzan Bazar

Brahmaputra's shore awakens. Lorries and drum-laden bikes huddle like students. Scales glint, mouths gasp, and an egret eyes the shimmering plenty.

2 min read

Visual Narrative · Usawa Literary Review

The lorries are lining up tidily on the roadside, and bicycles strapped with aluminum drums are leaning against the railing on the pedestrian walkway. Like schoolkids in uniform in time for the assembly rituals.

Mornings typically unfurl like this at Maas Bazaar, or fish port, at Uzan Bazar, on the banks of the Brahmaputra.

Daybreak in Uzan Bazar — lorries lining up at Maas Bazaar fish port, Brahmaputra. Photograph by Amit Kumar.

Dozens of wholesalers, retailers and workers, and a handful of auctioneers and their supervisors, are shuffling and wafting. On the fringes, a few scattered shacks are coming to life.

Daybreak in Uzan Bazar — wholesalers and workers at dawn, Maas Bazaar. Photograph by Amit Kumar.
Daybreak in Uzan Bazar — cattle egret with fashionable yellow streaks at the fish market. Photograph by Amit Kumar.

The most impatient entity here is a cattle egret, described as ‘a cosmopolitan species of heron’. It first struts around on the hood of a Bolero. Then, with feathers streaked fashionable yellow, valiantly strides up the glass pane to peer at the plenty. One of the four men guarding the fish, kept in a water tank, decides to gift it one. The egret gulps it down in seconds.

This acts like the ringing of the bell. The entire place gets into action.

Daybreak in Uzan Bazar — the auction begins, blur of scales and buckets. Photograph by Amit Kumar.

The next 45 minutes are a blur of shiny scales, bloodshot eyes, pink pouting lips, aluminum buckets, weighing scales, and gaggles of men – and a few women – in circles around different auctioneers. The fish are displayed, base price is announced, and the bidding is concluded calmly, swiftly.

Daybreak in Uzan Bazar — auction detail, fish market Uzan Bazar. Photograph by Amit Kumar.
Daybreak in Uzan Bazar — auction detail, buyers and sellers at dawn. Photograph by Amit Kumar.

Every few minutes, a fisherwoman puts her fingers inside the mouth of each of the five Rohu in her tank and shakes them vigorously, angrily: Breathe, fish, breathe. I am tired. Don’t you dare die till I tell you to.

Daybreak in Uzan Bazar — fisherwoman keeping her Rohu alive at the market. Photograph by Amit Kumar.

A gregarious man decides to showcase his massive 22-kilo Catla and asks for a photo, and another rearranges a prawn to make it look alive. The morbid aesthetics of death.

Daybreak in Uzan Bazar — the 22-kilo Catla, morbid aesthetics of the fish market. Photograph by Amit Kumar.

Almost all the fish – many still bouncing, thrashing, gasping – have been weighed and poured into buckets and plastic bags. Buyers are dispersing, stepping out of the bazaar as sellers for the rest of the day.

Daybreak in Uzan Bazar — buyers dispersing after the auction. Photograph by Amit Kumar.
Daybreak in Uzan Bazar — dispersal, end of the morning auction. Photograph by Amit Kumar.
Daybreak in Uzan Bazar — Maas Bazaar winding down, Brahmaputra. Photograph by Amit Kumar.

The auction is almost over. But our egret is still there, still looking for charity, spillover, and unguarded moments. It will be here again tomorrow morning, the fish donor atop the lorry tells me. “It will be here just before 6.”

Daybreak in Uzan Bazar — the egret still there at the close of the auction. Photograph by Amit Kumar.

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Amit Kumar

Amit Kumar has over 30 years of cumulative experience as a journalist, trainer and coach, L&OD consultant, and instructional design specialist. He has worked in India, the USA, Nepal, and Mauritius with a range of organizations.

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