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Chittaranjan Park, New Delhi (for Anisha)

Unloving transforms a once-loved dwelling, making homecoming a perpetual, nostalgic return to lost sensory echoes.

December 15, 2022

There is no estimating,
how time and space
transmutes a lover.

So forgive those fish-market shanties
wearing concrete like a truism. The traffic,
and its delirious swell, like a whale’s lungs,
every day at 9 am.

Don’t begrudge the new traffic signal its ornamental impotence.

It’s okay
for new bungalows
to be coloured beige, mauve, fuchsia,
and neat ground-floor parking lots
replacing bougainvillea trees – where
a boy and a girl,
forever twelve and six,
negotiate the dwelling place
of an earthworm they saved
Forgive those streets,
for shrinking
like grandmothers
under the weight
of newer, bigger, shinier cars.

You see, it is only after you learn to unlove
that homecoming becomes
a matter of perpetual return,

the way afternoon chiming
of the kulfiwallah’s bells, the smell
of dhunochi, the taste of jamun
brings you closer to
something stuck in your throat
the night before, in a train

hurtling towards this dwelling place,
that was almost yours –
until you disembark
at the Delhi station.

📖
PART OF A COLLECTION

Father Helpless (Ogu & me) and 1 other poem

View Full Collection →

Ankush Banerjee

Ankush Banerjee (he/his), poet, Culture Studies PhD research scholar and serving Naval Officer, is the author of An Essence of Eternity (2016). He has been recipient of the 2019 All India Poetry Prize, as well as the United Services Institution of India Gold Medals in 2013, 2017 and 2022, for his essays on Military Ethics and Leadership. His poetry, reviews and essays appear in Eclectica, Cha, The Bombay Literary Magazine, The Tupelo Quarterly, Kitaab and The Indian Express, among others. His work has also appeared in the anthologies, Yearbook of Indian Poetry 2020 and 2021, Best of Asian Poetry 2021, and Converse: Contemporary English Poetry by Indians. He is currently stationed at New Delhi.

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