Usawa Literary Review is headquartered in Mumbai, India.
PIN Code: 400050
Interested in working or collaborating with us?
Contact Us
✨ LATEST ISSUE • From ULR Issue 14 – WITNESS

Mantras for the Displaced

A forced silence demands generic words, burying the burning village, purged ancestors, and its dead.

January 4, 2026

Say “home”—
but never name
the village of your birth,
ancestors purged
from its silent orchards.

Say “once”—
but not that evening
you watched your house burn,
a carnival of flames
ravaging rice, Rilke,
ruby toe-rings
bought for your wedding.

Say “was”—
but not how it really was,
fleeing in female form,
soft curves a treachery
in trains and boats.

Say “joy”—
but not the aangan
where your first crush
traced your jawline
with a rose.

Say “death”—
but do not name
corpses you abandoned
on your way
to the promised land.

Say “never” “never” “never”
when you dream of return,
for India is free*, a new era
beckons—

You, sorceress,
exorcise geography,
rebuild your rubble.

*The tragedy of India’s gruesome partition arrived hand-in-hand with the victory of India’s freedom from colonisation in August 1947.

aangan: courtyard

📖
PART OF A COLLECTION

My Lover’s Muse and 5 other poems

View Full Collection →

Saraswati Nagpal

Saraswati Nagpal is a Forward Prize-nominated Indian poet, writer of myth & fantasy, and classical dancer. She is Co-Editor at The Winged Moon literary substack, and is published in The Atlantic, Atlanta Review, Acropolis, Dust, SAND, The Hooghly Review and others, besides international anthologies. She has been nominated for four Best of the Net and a Pushcart Prize for her poems. Her debut poetry collection is Drench Me in Silver (Black Bough, 2025). Find her @saraswatinagpal

Looking for more Poetry?

Browse the Poetry Archive →
Back to Issue

Support Our Work

If you enjoy our content, consider supporting us.

Support Us

We are an unfunded, independent feminist publication. We need your support to continue our work.