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Issue 12 • Gender & its Discontents • December 2024

Gender & Its Discontents is one of ULR's most expansive and formally adventurous issues — queer poetry, LGBTQ+ fiction from across the globe, visual narratives…
Gender & Its Discontents is one of ULR’s most expansive and formally adventurous issues — queer poetry, LGBTQ+ fiction from across the globe, visual narratives on gender and occupation, non-fiction on menstruation and caste, and reviews of queer literature from Korea to South Africa. Interviews with Manu Dash, Priyanka Dubey, and Banajyotsna Lahiri bring the editor’s perspective to questions the issue cannot stop asking: who is gender for, and who does it harm?
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THE ARTWORK: The background, a vintage ledger, serves as a record of transactions—a nod to the commodification of value, including a woman’s worth in patriarchal structures. The bold coral surrounding the figure embodies protection and fertility, juxtaposing the figure’s modern, self-assured stance.
The snail shell at her feet grounds her in cycles of growth and introspection, while the fish above her reinforces the transformative journey. Together, these elements create a layered narrative, questioning how identity is shaped within the constraints of tradition and expectation.
ABOUT THE ARTIST: Born in 1975 in India, Bakula Nayak completed an undergraduate degree in architecture and a master’s of science in communication design from the Pratt Institute, Manhattan. After a long career in the U.S., she moved back to her hometown of Bangalore. With an impassioned curiosity for discovering beauty in the mundane, and a self-taught prowess for line, symbol and narrative composition, Bakula began her journey as an artist in 2013. Bakula weaves together her personal histories with those of others and her work engages with themes of motherhood, reproductive justice, and equality, offering a nuanced commentary on the female experience. She explores themes of synergy between the individual and the collective, processes of art- and meaning-making, the experiences of women as well as contemporary cultural and psycho-social situations. Recently living in Pittsburgh, she has exhibited her work extensively in India, with additional shows in Germany, Canada, and Singapore.
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COVER ART : “HERE I AM” by Bakula Nayak.

This artwork belongs to a series exploring themes of individuality, societal expectations, and the intersection of the natural and constructed world.

In This Issue

In this issue, Usawa dares to venture into the fluid, intricate terrain of gender—a theme as universal as it is personal; a theme that refuses to be defined, like poetry. Writing gender into poetry is as difficult as trying to scaffold identities and capture the...

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It is always a glittering pleasure to read submissions for the Translations section – the world opens up. It is always, also, a rough task to make choices among the phenomenal entries that we receive, and curating the “Gender and Its Discontents” issue was no...

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Greetings dear readers! Welcome to the Reviews Section of Usawa’s December 2024 Issue, based around the theme, ‘Gender and its Discontents’.        While conceptualising this issue in May/Jun 24, we hadn’t foreseen that gender-related issues will once again take centre-stage in our social,...

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Dear Readers, Welcome to the latest issue of the Usawa Literary Review! In this edition, we find ourselves immersed in a theme as urgent as it is timeless: Gender. It is more than a word—it is a prism through which we view the world, a...

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